Press

Press & recognition

Selected reviews, features, and published work.

Black-and-white performance photograph of three dancers in mid-movement, one leaping with arms flung wide
Liz Lerman/Dance Exchange
“Boris Willis carries us into the cyber world for Mu. We enter the work as if traveling in a video game, and encounter dancing, not performed by humans, but by their avatars.”
— Christine Jowers, The Dance Enthusiast
“they were truly dancing in the dark”
— Carmel Morgan, CriticalDance
“Mansur and Willis stream through hops and weight shifts that build into leaps and lifts.”
— Claire Croft, The Washington Post
“The dance explores the limitations of race as a social construct.”
— Mary Tisa, DanceView Times
“Boris Willis is an intensely physical artist. His work explores physical relationships, his unique movement vocabulary pushes the limits of the human body, and his duets are held together by a compelling physical attraction that is especially effective when he dances with founding member Cynthia McLaughlin.”
— Mary Tisa, DanceViewDC
“the evening's most mature and assured works”
— Lisa Traiger, DanceView Times, on Cocteau Variations
“Boris Willis closed the program with his slinky, sinuous ‘Cocteau,’ a duet danced with Cynthia McLaughlin. The suave, handsome couple maintains a serene aura and detached control, even through moments of staccato, and they were mesmerizing throughout.”
— M. Auton Michelotti, DanceView, Washington, DC
“Sustaining a single dance impulse throughout an entire piece is Boris Willis's achievement…”
— The Washington Post, Washington, DC, on Cocteau Variations
“Dignity, intensity and courage were the qualities projected in Willis's stirring performance.”
— Alan M. Kriegsman, The Washington Post, Washington, DC
“…the potent presence and gestural intensity of dancer Willis.”
— Alan M. Kriegsman, The Washington Post, Washington, DC
“…Boris Willis, strong and magnetic…”
— Alan M. Kriegsman, The Washington Post, Washington, DC
“…some dancers are such innately galvanic movers that they can electrify the most indifferent choreography.”
— Alan M. Kriegsman, The Washington Post, Washington, DC
“…dance segments that stand out in memory are Boris Willis's tour de force solo…”
— Alan M. Kriegsman, The Washington Post, Washington, DC
“Willis gives a tour de force performance.”
— Cathryn Harding, Isthmus, Madison, WI
“Willis is a powerfully skilled mover with such inordinate control of his body that he appears as if he can float in space.”
— H.B. Kronen, Union News, Becket, MA
“It is a very physical almost violent dance, and Willis moves big — big leaps, violent rolls and flips, fast furious turns. There isn't a wasted moment or movement in the piece, and Willis gave it a flawless and emotionally riveting performance.”
— Alexandra Tomalonis, The Washington Post, Washington, DC

Blogs

Writing about the work elsewhere online.